If the subject – here, the writer of colour – is unaware of the absence of speech, then where does he/she begin? Or, as Roy Miki asks, “How, then, to begin, to begin?” – an excerpt from the final essay I wrote for Dr. Smaro Kamboureli’s graduate English class at University of Toronto end April 2015.
On 24th November 2015, I was invited by Dr. Jing Jing Chang to give a short talk to her undergrad class on Bollywood films at Wilfrid Laurier University. The talk addresses my existence as a South Asian person/academic/artist in Canada, and negotiating that identity through creative writing and academia.
The talk ends with a performance of my most recent work of poetry, “elephant in the room.”
Since I don’t completely despise how I sound, here is the talk in its entirety:
Filed under event, poetry, Thinking Aloud, Writing about writing
Tagged as academia, agency, becoming, Canada, Canadian, Canadian identity, Canlit, creative writing, diaspora, Dr. Jing Jing Chang, Dr. Smaro Kamboureli, elephant in the room, feminism, fiction, hierarchy, hijab, hyphenated identity, identity, Islamophobia, minority, muslim identity, Muslim women, Paris terrorist attacks, person of colour, pleasure, poc, poetry, race, Racism, Roy Miki, Sanchari Sur, Sara Ahmed, South Asian, South Asian diaspora, speechlessness, Stuart Hall, Toronto, unhappiness, University of Toronto, Wilfrid Laurier University, woc, woman of colour, writer of colour, writing, writing about writing