A Portrait of the Artist as a Young Woman


“Synastry” from my “Afternoons in Varanasi: A Series”. Taken in March 2012, it’s on the cover of Barely South Review (September 2012 issue).

My official artist’s statement:

Photography is not my main medium of expression. Writing is. Yet, I have found that it is photographs that express what I am unable to find words for. In photography, I try to capture the randomness in the mundane, the unexpected in the predictable, the carpe vitam in the commonplace. Some of my clicks have a voyeuristic quality, since I have found that being a single brown woman, there are certain lines one cannot cross. I trespass those lines anyway, but from a distance.

These photographs are from a series set in Varanasi, India, and were taken on the ghats (or, the riverbanks) earlier this year. They were taken in the afternoon, a time most popular for siestas in India. I have tried to capture a side of the city that is not immediately visible to touristy eyes.

I have four photographs from “Afternoons in Varanasi: A Series” in Barely South Review.  Check out “Synastry” (cover), “Communion,” “Affinity” and “Rainbow” here (see pages 93, 94 and 95).  

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